Chris Guthrie and her son, Ewan, have come to the industrial town of Duncairn, where life is as hard as the granite of the buildings all around them. These are the Depression years of the 1930s, and Chris is far from the fields of her youth in Sunset Song. In a society of factory owners, shopkeepers, policemen, petty clerks and industrial labourers, ‘Chris Caledonia’ must make her living as bets she can by working in Ma Cleghorn’s boarding house.
Ewan finds employment in a steel foundry and tries to lead a peaceful strike against the manufacture of armaments. In the face of violence and police brutality, his socialist idealism is forged into something harder and fiercer as he becomes a communist activist ready to sacrifice himself, his girlfriend and even the truth itself, for the cause.
Grey Granite is the last and grimmest volume of the Scots Quair trilogy. Chris Guthrie is one of the great characters in Scottish Literature and no reader of Sunset Song and Cloud Howe should miss this last rich chapter in her tale.
Over de auteur
James Leslie Mitchell, ‘Lewis Grassic Gibbon’ (1901-35), was born and brought up in the rich farming land of Scotland’s North-East coast. After a brief journalistic career, he joined the Royal Army Service Corps in 1919, serving in Persia, India and Egypt before he spent six years as a clerk in the RAF. He married Rebecca Middleton in 1925, and became a full-time writer in 1929. He was a prolific writer of novels, short stories and essays and had seventeen full length books published before his untimely death at the age of thirty-four. He adopted his maternal grandmother’s name for his Scottish work including A Scots Quair: Sunset Song, Cloud Howe and Grey Granite. An unfinished novel, The Speak of the Mearns, was published posthumously in 1982.
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