Finalist for the 2014 Fore Word Indie Fab Book of the Year Award in the Women’s Studies Category
Bronze Medalist, 2015 Independent Publisher Book Awards in the Women Issues Category
Winnerof the 2015 Emily Toth Award presented by the Popular Culture Association & American Culture Association
Warrior Women considers the significance of Chinese female action stars in martial arts films produced across a range of national and transnational contexts. Lisa Funnell examines the impact of the 1997 transfer of Hong Kong from British to Chinese rule on the representation of Chinese identities—Hong Kong Chinese, mainland Chinese, Chinese American, Chinese Canadian—in action films produced domestically in Hong Kong and, increasingly, in cooperation with mainland China and Hollywood. Hong Kong cinema has offered space for the development of transnational Chinese screen identities that challenge the racial stereotypes historically associated with the Asian female body in the West. The ethnic/national differentiation of transnational Chinese female stars—such as Pei Pei Cheng, Charlene Choi, Gong Li, Lucy Liu, Shu Qi, Michelle Yeoh, and Zhang Ziyi—is considered part of the ongoing negotiation of social, cultural, and geopolitical identities in the Chinese-speaking world.
Inhoudsopgave
Acknowledgments
Introduction
1. Hong Kong–Hollywood Connections
2. Transnational Chinese Mothers: The Heroic Identities of Michelle Yeoh and Pei Pei Cheng
3. Intermedial Stars: Hong Kong Warrior Women in Post-1997 Cinema
4. Chinese Women and the Tropes of Modern China: The Transnational Appeal of Gong Li and Zhang Ziyi
5. Pan-Pacific Connections: Chinese American Warrior Women in Post-1997 Hong Kong
6. Transnational Integration: Chinese Canadian Warrior Women in Post-1997 Hong Kong
7. The Influence of Hong Kong in Hollywood: The Asianization of American Warrior Women
Conclusion: Transnational Chinese Warrior Women
Notes
Works Cited
Filmography
Index
Over de auteur
Lisa Funnell is Assistant Professor in the Women’s and Gender Studies Program at the University of Oklahoma, where she is also an affiliated faculty member of the Film and Media Studies Program and the Center for Social Justice. She is the coeditor (with Philippa Gates) of
Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange.
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