The best new research on medieval clothing and textiles, drawing from a range of disciplines.
The essays collected here continue to showcase the
Journal’s wide-ranging and eclectic tradition. The topics addressed are the sensory perceptions of textiles in Early Medieval Britain; evidence of the global textile trade as reflected in church facades in Lucca, Italy; the ways in which spinning and weaving in late medieval Cologne influenced the presentation of the cult of the Eleven Thousand Virgins within the city; sumptuary legislation in thirteenth-century Montauban, in the Occitan region of Southern France; visual representations of male underwear in northern European art; and the late sixteenth- and early seventeenth-century trade in knitted jersey stockings in Norwich and Yarmouth.
Inhoudsopgave
Illustrations
Tables
Contributors
Preface
1. Archaeological Textiles, Senses, Perception and Use: How Sensory Perceptions Affected Textile Use in Early Medieval Britain (450-1100 CE) –
Alexandra Lester-Makin
2. Reflecting A Woven Identity: The Global Textile Trade and Two Lucchese Church Facades –
Tania Kolarik
3. Clothing the City’s Martyrs: Weaving and Spinning in Late Medieval Cologne and Devotion to the Cult of the Eleven Thousand Virgins –
Claire W. Kilgore
4. The Detailed Lexicon of Ladies’ Apparel in Montauban’s Sumptuary Laws of 1275 and 1291 –
Sarah-Grace Heller
5. Semper Ubi Sub Ubi: Representations of Male Underwear in Northern European art, 1140-1450 –
Carla Tilghman
6. The Trade in Knitted Jersey Stockings, and their Creation by Child Knitters in Norwich and Yarmouth around 1600 –
Lesley O’Connell Edwards
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Over de auteur
SARAH-GRACE HELLER is Associate Professor and Chair of French and Italian at the Ohio State University.
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