Between 1960 and 2010, a new generation of British avant-garde theatre companies, directors, designers and performers emerged. Some of these companies and individuals have endured to become part of theatre history while others have disappeared from the scene, mutated into new forms, or become part of the establishment. Reverberations across Small-Scale British Theatre at long last puts these small-scale British theatre companies and personalities in the scholarly spotlight. By questioning what ‘Britishness’ meant in relation to the small-scale work of these practitioners, contributors articulate how it is reflected in the goals, manifestos and aesthetics of these companies.
Inhoudsopgave
Setting the Scene: Introducing Reverberations – Patrick Duggan and Victor Ukaegbu
Chapter 1: Foco Novo: The Icarus of British Small-Scale Touring Theatre – Graham Saunders
Chapter 2: Insider Knowledge: The Evolution of Belfast’s Tinderbox Theatre Company – David Grant
Chapter 3: Volcano: A Post-Punk Physical Theatre – Gareth Somers
Chapter 4: Tiata Fahodzi: Second-Generation Africans in British Theatre – Ekua Ekumah
Chapter 5: Keeping It Together: Talawa Theatre Company, Britishness, Aesthetics of Scale and Mainstreaming the Black-British Experience – Kene Igweonu
Chapter 6: Agitation and Entertainment: Rod Dixon and Red Ladder Theatre – Tony Gardner
Chapter 7: Intercultural to Cross-Cultural Theatre: Tara Arts and the Development of British Asian Theatre – Victor Ukaegbu
Chapter 8: Kind Acts: Lone Twin Theatre – Eirini Kartsaki
Chapter 9: Political Theatre ‘without Finger-Wagging’: On the Paper Birds and Integrative Aesthetics – Patrick Duggan
Chapter 10: ‘Angels and Modern Myth’: Grid Iron and the New Scottish Theatre – Trish Reid
Chapter 11: Acts of Poiesis: salamanda tandem – Mick Wallis and Isabel Jones
Coda – Franc Chamberlain
Over de auteur
Dr. Victor I. Ukaegbu is a senior lecturer and course leader for Drama at The University of Northampton. He has written on African and intercultural theatres, postcolonial performances, gender, black British theatre, applied theatre, including a book; The Use of Masks in Igbo Theatre in Nigeria: the Aesthetic Flexibility of Performance Traditions. He is Associate Editor of African Performance Review and a member of the Editorial Board of World Scenography (Africa/Middle East).
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