Paul Sheehan 
Modernism and the Aesthetics of Violence [PDF ebook] 

Focusing on individual authors from Heinrich Boll to Gunther Grass, Hermann Lenz to Peter Schneider, The Language of Silence offers an analysis of West German literature as it tries to come to terms …

This book studies how the rhetoric of travel introduces different conceptualizations of space and time in scenarios of war during the last decades of the 19th century, in Argentina, Brazil, Paraguay, …

Medical, popular, and literary understanding about the imagination converged when Thomas Willis asserted that he had discovered the area of the brain that facilitated imagining. Taking this ”discove …

This volume, first published in 1968, draws attention to the special relationship between Joyce’s life and his writing. The passages are presented in chronological order, with a commentary that pays …

First published in 1940 and revised in 1965, this work by the distinguished Hardy Scholar, Carl J. Weber, traces Hardy’s literary career from High Brockhampton to the grave in Poet’s corner, Westmins …

Milton”s Ovidian Eve presents a fresh and thorough exploration of the classical allusions central to understanding Paradise Lost and to understanding Eve, one of Milton”s most complex characters. M …

First published in 1969, this book provides a concise and helpful introduction to the terms ‘fancy’ and ‘imagination’. Although they are generally associated with Samuel Taylor Coleridge, the work be …

This collection of fifteen essays looks at the theme of decadence and its recurring manifestations in European literature and literary criticism from medieval times to the present day. Various defini …

Until now, scholarly analysis of Elizabethan processions has always regarded them as having been successful in their function as propaganda, and has always found them to have effectively ”won over” …

‘The nineteenth century realist author was a contradictory figure. He was the focus of literary criticism, but obscured his creative role by insisting on presenting his works as ”copies” of reality …