The poems in this brilliant follow-up to the National Book Award finalist Archeophonics, are concerned with grieving, with poetry and death, with beauty and sadness, with light. As Ben Lerner has written, ‘Gizzi’s poetry is an example of how a poet’s total tonal attention can disclose new orders of sensation and meaning. His beautiful lines are full of deft archival allusion.’ With litany, elegy, and prose, Gizzi continues his pursuit toward a lyric of reality. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom.
Inhoudsopgave
LYRIC • SPEECH ACTS FOR A DYING WORLD • THAT I SAW THE LIGHT ON NONOTUCK AVENUE • EVERY DAY I WANT TO FLY MY KITE•THE PRESENT IS CONSTANT ELEGY • SOME JOY FOR MORNING • SKY BURIAL NOW • IT’S DARK • THE AFTERLIFE OF PAPER • A LONELY PLANET GUIDE TO MY LIFE LAST POEM • LETTER TO THE GHOST WORLD INSIDE OUT • LOUD • THE INGENUITY OF ANIMAL SURVIVAL • OF THE AIR • ROXY MUSIC ARCHIVAL LIGHT • SUNDAY’S EMPIRE • A ROUND FOR W.S. GRAHAM • NOW IT’S DARK • SUNSHINE • GARLAND • MARIGOLD & CABLE • NOCTURNE • SHIP OF STATE • CODA • FROM THIS END OF SADNESS • Acknowledgments
Over de auteur
Peter Gizzi is the author of many collections of poetry, including Now It’s Dark (2020), Archeophonics (2016), a finalist for the National Book Award, Threshold Songs (2011), and In Defense of Nothing: Selected Poems, 1987–2011 (2014), a finalist for the LA Times Book Award. He has also published several limited-edition chapbooks, folios, and artist books. Marjorie Perloff has called him ‘a master of the mot juste and of sound structure;’ Robert Creeley, ‘one of the most exceptional poets of his generation.’ Adrienne Rich has said ‘his disturbing lyricism is like no other;’ and John Ashbery thought him ’the most exciting new poet to come along in quite a while.’ He lives in Holyoke, MA.
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