This book provides fresh insight into the creative practice developed by Paul Mc Cartney over his extended career as a songwriter, record producer and performing musician. It frames its examination of Mc Cartney’s work through the lens of the systems model of creativity developed by Mihaly Csikszentmihalyi and combines this with the research work of Pierre Bourdieu. This systems approach is built around the basic structures of idiosyncratic agents, like Mc Cartney himself, and the choices he has made as a creative individual. It also locates his work within social fields and cultural domains, all crucial aspects of the creative system that Mc Cartney continues to be immersed in. Using this tripartite system, the book includes analysis of Mc Cartney’s creative collaborations with musicians, producers, artists and filmmakers and provides a critical analysis of the Romantic myth which forms a central tenet of popular music. This engaging work will have interdisciplinary appeal to students andscholars of the psychology of creativity, popular music, sociology and cultural studies.
Inhoudsopgave
Chapter 1. Background to the Study: The Systems Approach to Creativity.- Chapter 2. Paul Mc Cartney as a Performing Musician.- Chapter 3. Paul Mc Cartney and the Creation of ‘Yesterday’.- Chapter 4. Paul Mc Cartney and the Creation of ‘Paperback Writer’: Examining the Flow of Ideas and Knowledge Between Scalable Creative Systems.- Chapter 5. Paul Mcartney’s Major Creative Collaborators: John Lennon and the Creative System.- Chapter 6. Paul Mc Cartney as Record Producer: Complete Immersion in the Creative System.- Chapter 7. Paul Mc Cartney’s Multiple Creative and Business Ventures.
Over de auteur
Phillip Mc Intyre is a Professor of Communication and Media at the University of Newcastle, Australia where he researches creativity and innovation. Phillip has published widely with a particular focus on the creative processes involved in various aspects of music including songwriting, sound engineering, and record production. He is the author of Creativity and Cultural Production: Issues for Media Practice (2012), co-editor of Creativity as a System in Action (2016), and co-author of Educating for Creativity within Higher Education (2018). Phillip also has extensive experience within the music industry.
Paul Thompson is a professional recording engineer and producer who has worked in the music industry for over 15 years. He is currently a Reader in Popular Music at Leeds Beckett University in Leeds School of Arts, and his research is centered on record production, audio education, popular music heritage, creativity and cultural production in popular music. His book ‘Creativity in the Recording Studio: Alternative Takes’ was published in early 2019 by Palgrave Mac Millan.
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