Auteur: Pier Francesco Tosi

Pier Francesco Tosi was a significant figure in the realm of Baroque vocal music, both as a performer and as an author who provided insights into the art of singing during the early 18th century. Born in Cesena, Italy, around 1653, Tosi gained recognition not only as a refined countertenor but also as a maestro di cappella, accumulating extensive experience in the operatic and sacred music scenes of his time. He traveled through Italy and Europe, absorbing diverse approaches to vocal artistry which later informed his written work (Hunter, R. & James, C. 2007). One of Tosi”s most notable contributions to music literature is his treatise “Observations on the Florid Song; Or, Sentiments on the Ancient and Modern Singers” (1723). This seminal work provides a comprehensive guide to the techniques and aesthetics of Baroque singing, encompassing ornaments, phrasing, and expression, as well as advice on the cultivation of young singers. Tosi”s book stands as an invaluable resource for understanding period performance practice and the tradition of bel canto, influencing subsequent generations of vocal pedagogues and performers (Brown, H. M., 2002). Tosi”s literary style combines practical instruction with anecdotal observations, offering a clear yet nuanced depiction of the art of singing in his time. His erudite approach to discussing vocal technique alongside his advocacy for expressive, text-driven performance reflects the larger artistic sensibilities of the late Baroque era. As a bridge between the practices of the past and the evolving styles of his contemporary world, Tosi”s work remains a pivotal text in the legacy of vocal music (Kimbell, D. R., 2017).