Reichardt Dagmar Reichardt & Thiessen-Schneider Gudrun Thiessen-Schneider 
Follow Arts [EPUB ebook] 
Texte zu digitalen Welten und analogen Formaten von Claus Friede

Consumer Product Innovation and Sustainable Design follows the innovation and evolution of consumer products from vacuum cleaners to mobile phones from their original inventions to the present day. I …

Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found …

John Lyly is the first collection of essays dedicated solely to the work of this University Wit, celebrity prose writer, and playwright to the court of Elizabeth. Lyly”s energy and wit inspired his …

1980 was an important year for Top of the Pops: it was the year it began to transform from a light entertainment show into essential viewing for pop music aficionados. The transition didn’t happen ov …

Originally published in 1988. Arranged by play, the essays presented here focus first on production and then on a range of other issues such as characters, imagery, textual problems and themes. Both …

In Studio-Based Instrumental Learning, Kim Burwell investigates the nature of lesson interactions in instrumental teaching and learning. Studio lesson activity is represented as a private interaction …

With the recent advent of technologies that make detecting art forgeries easier, the art world has become increasingly obsessed with verifying and ensuring artistic authenticity. In this unique histo …

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company. …

The current surge of interest in the Elizabethan poet, dramatist, prose-writer and critic, Thomas Nashe, follows years of neglect or undisguised hostility. Yet, as early allusions testify, Nashe was …

‘highly entertaining and informative… This is a book worth arguing with, written with verve, wit and passion. It is also lavishly illustrated. I enjoyed every minute of it.’— The Spectator ‘as comp …