Listen To This If You Love Great Music is a must read for anyone with even a passing interest in music. Featuring 100 of the best albums from the last four decades, clashmusic.com editor Robin Murray shares his passion for exceptional music and offers insightful takes on what elevates these records above the competition.
Robin steers clear of the usual classics – The Beatles and The Clash, for example – and instead goes deep into his record collection to pull out
the albums he considers the greatest ever. For each, a solid case is made for why it represents a
watershed moment in music history , outlining the story behind the record and
critiquing what constitutes a classic .
Uniquely curated to offer a fresh perspective on the last 40-plus years of music, find
politically charged rock brushing shoulders with dub-infused
electronica ,
progressive pop and dreamy shoegaze shaken awake by
ear-drum rattling grime and house music .
Whether it’s
bass-heavy hip-hop from Nas that inspired a thousand MCs to pick up a mic or
experimental indie dance from LCD Soundsystem that blurred genres and tempted musicians to trade in their guitars for synthesizers, this is an
essential rundown of the
albums that really matter. Y
ou need to play them loud .
Inhoudsopgave
Chapter 1: Right First Time
Chapter 2: One-off Wonders
Chapter 3: Slow Burners
Chapter 4: Reinventions
Chapter 5: Political Statements
Chapter 6: Sexuality
Chapter 7: It’s OK To Not Be OK
Chapter 8: Music To Fall Asleep To
Chapter 9: Soundtrack To Your Nightmares
Chapter 10: Going Out With A Bang
Over de auteur
Robin Murray is Editor-in-Chief at Clash, having worked on the magazine for over a decade interviewing the likes of Michael Stipe, Lizzo, Nile Rogers, Blondie, Graham Coxon, Kim Gordon and many more. In his role as Online Editor, Robin oversaw the growth of Clash Music.com from a start-up blog to an internationally respected website, helping run showcases at The Great Escape and SXSW, and exposing a strong social-media following to the best contemporary music. Based in London, Robin also writes for Crack, London In Stereo, The List and The Skinny, and lectures on Music Journalism at the University of Creative Arts in Epsom, Surrey.
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