Changes features a collection of key texts and ideas by artists, intellectuals and curators who have rethought and redefined the way a cultural institution should work. Alongside these documents, five essays establish guidelines for describing the institution’s experimental and vastly innovative conceptual approach over the last ten years: the new meaning of format (as distinct from artistic work), the issue of sustainability in cultural institutions, identity politics, immersion and digital culture.
A reader on the positioning of a pioneering German cultural institution that invites us to take a look at what has shaped the profile of its innovative programme.
With texts and contributions by Frédérique Aït-Touati, Ed Atkins, Sivan Ben Yishai, Jens Bisky, Emanuele Coccia, Brian Eno, Naika Foroutan, Dorothea von Hantelmann, Donna Haraway, Susanne Kennedy, William Kentridge, Signa Köstler, Bruno Latour, Robert Maharajh, Bonaventure Soh Bejeng Ndikung, Thomas Oberender, David OReilly, Diana Palm, Philippe Parreno, Nancy Pettinicchio, Alex Ross, Stephanie Rosenthal, Rebecca Saunders, Frank Schirrmacher, Stephan Schwingeler, Tino Sehgal, Markus Selg, Gabriele Stötzer, Lucien Strauch.
Inhoudsopgave
Ch-ch-ch-ch-changes
von Thomas Oberender / Seite 7
New Formats—Formats of the New
von Thomas Oberender / Seite 17
Formats 2012–2021 / Seite 28
The Sonic Extremes of the Maerz Musik Festival
von Alex Ross / Seite 43
36 Points on Creating Our Work Through Excess
von Signa Köstler / Seite 46
William Kentridge in Conversation with Christiane Peitz
von William Kentridge und Christiane Peitz / Seite 49
Emanuele Coccia and Philippe Parreno in Conversation with Thomas Oberender
von Thomas Oberender, Emanuele Coccia und Philippe Parreno / Seite 54
When You Mix Something, It’s Good to Know Your Ingredients
von Dorothea von Hantelmann / Seite 60
Architecture That Blurs Boundaries
von Thomas Oberender / Seite 64
Digital Culture
von Thomas Oberender / Seite 81
Invisible Forces: Machinery, People, Utopia
von Frank Schirrmacher / Seite 85
Exorcism
von Susanne Kennedy / Seite 91
The System of Everything
von Stephan Schwingeler / Seite 96
The Art of Realtime
von David OReilly / Seite 99
Voices of Dissent.
von Thomas Oberender / Seite 105
Decolonizing Time
von Donna Haraway / Seite 113
Home is Not Always the Answer
von Naika Foroutan / Seite 115
Gabriele Stötzer in Conversation with Thomas Oberender
von Thomas Oberender und Gabriele Stötzer / Seite 118
The Mess of Self-Revolting
von Sivan Ben Yishai / Seite 128
Sonic Compasses in Dire Times!
von Bonaventure Soh Bejeng Ndikung / Seite 131
To Not Be a Single Being: Otobong Nkanga and Theaster Gates
von Robert Maharajh / Seite 138
Making Kin
von Stephanie Rosenthal / Seite 143
Arrival in No-Man’s-Land
von Jens Bisky / Seite 146
‘Every Message Was Meant for Me’
von Lucien Strauch / Seite 151
Thomas Oberender in Conversation with Nancy Pettinicchio
von Thomas Oberender und Nancy Pettinicchio / Seite 157
Mind in the Cave
von Markus Selg / Seite 166
Ed Atkins and Rebecca Saunders in Conversation with Bastian Zimmermann
von Bastian Zimmermann, Rebecca Saunders und Ed Atkins / Seite 170
Brian Eno in Conversation with Thomas Oberender
von Thomas Oberender und Brian Eno / Seite 176
Measures for Our ‘Fellow World’
von Diana Palm / Seite 185
Pioneers of Change
von Thomas Oberender / Seite 190
A Conversation with Tino Sehgal
von Tino Sehgal, Christiane Fricke, Susanne Schreiber, Petra Schwarz und Bernd Ziesemer/ Seite 200
Frédérique Aït-Touati and Bruno Latour in Conversation with Thomas Oberender Staging Gaia.
Theatre, Climate and a Shift in Awareness
von Thomas Oberender, Bruno Latour und Frédérique Aït-Touati / Seite 205
Berliner Festspiele Publications / 2012–2021
Over de auteur
Thomas Oberender has been Director of the Berliner Festspiele since 2012 and Artistic Director of the Immersion programme that he created since 2016.
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