Auteur: UK) Quigley Karen (University of York

From the gouging out of eyes in Shakespeare”s King Lear or Sarah Kane”s Cleansed, to the adaptation of Philip Pullman”s His Dark Materials trilogy, theatre has long been intrigued by the staging o …

From the gouging out of eyes in Shakespeare”s King Lear or Sarah Kane”s Cleansed, to the adaptation of Philip Pullman”s His Dark Materials trilogy, theatre has long been intrigued by the staging o …