Who is the mysterious solitary woman dressed in white who accosts Walter Hartright late one night near London’s Hampstead Heath? Why does she bear such an uncanny resemblance to Walter’s student, the angelic Laura Fairlie? And what is the closely guarded secret that she claims will confound a sinister nobleman’s malevolent plan?
With its compelling blend of mistaken identities, wrongful imprisonment, madness, and romance, this riveting story was the prototype for a new genre of fiction, the ‘sensation novel.’ A forerunner of modern detective and suspense fiction, it transplanted the thrills of Gothic horror tales from the chambers and dungeons of medieval castles to the everyday reality of suburban drawing rooms and boudoirs. Author Wilkie Collins excelled at devising cliffhangers that kept Victorians eager for the next installment of
The Woman in White which appeared serially in Charles Dickens’ weekly literary publication,
All the Year Round. This much-imitated, enduringly suspenseful tale has continued to enthrall readers ever since.
Inhoudsopgave
Author’s Preface (1860)
Preface to the Present Edition (1861)
The Woman in White
The First Epoch
The Story begun by Walter Hartright, of Clement’s Inn, Teacher of Drawing
The Story continued by Vincent Gilmore, of Chancery Lane, Solicitor
The Story continued by Marian Halcombe, in Extracts from her Diary
The Second Epoch
The Story continued by Marian Halcombe
The Story continued by Frederick Fairlie, Esq., of Limmeridge House
The Story continued by Eliza Michelson, Housekeeper at Blackwater Park
The Story continued in Several Narratives
The Third Epoch
The Story continued by Walter Hartright
The Story continued by Mrs Catherick
The Story continued by Walter Hartright
The Story continued by Isidor, Ottavio, Baldassare Fosco
The Story concluded by Walter Hartright
Over de auteur
A prolific author of the Victorian era, Wilkie Collins (1824-89) wrote ‘sensation’ novels. The forerunners of today’s detective and suspense fiction, his best-known works include
The Moonstone and
The Woman in White. Charles Dickens was his lifelong friend and collaborator, and many of Collins’ stories first appeared in Dickens’ weekly publication,
All the Year Round.
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