The book presents the text of Edward Fitz Gerald’s three main versions of the Rubáiyát of Omar Khayyám, together with non-technical commentary on the origins, role and influence of the poem, including the story of its publication. The commentary also addresses the many spin-offs the poem has generated in the fields of art and music, as well as its message and its worldwide influence during the 150 years since its first appearance.
Inhoudsopgave
Introduction; Acknowledgements; List of Illustrations; Part 1. Edward Fitz Gerald’s Rubáiyát of Omar Khayyám; A Note on the Texts; First Edition (1859); Second Edition (1868); Fourth Edition (1879); Edward Fitz Gerald’s Notes; Edward Fitz Gerald’s Prefaces; Part 2. The Rubáiyát, Its Story and Its Influence; Omar Khayyám and his Rubáiyát; Edward Fitz Gerald and his Rubáiyát; The Poem Itself; How the Rubáiyát Became Popular; Worldwide Spread and Influence; Exploitation in Many Forms; Relevance to the Modern Day; Notes to Part 2; Part 3. Further Notes and References; The Texts Presented – Editors’ Notes; Quatrain Numbers in the Rubáiyát; Note References in the Rubáiyát; Glossary of Names and Terms; Further Reading and Online Resources; Index
Over de auteur
Bill Martin and Sandra Mason are independent researchers with a long-standing interest in the Rubaiyat of Omar Khayyam, particularly the interpretation of these quatrains by Edward Fitz Gerald. They were actively involved in creating exhibitions and other projects to celebrate the Fitz Gerald anniversaries in 2009 as a Year of the Rubaiyat.
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