This detailed study of Williams unlocks his late sociology of culture. It covers previously overlooked aspects, such as his critique of Birmingham cultural studies, his use of an Adorno-like approach to ‘cultural production’, his ‘social formalist’ alternative to structuralism and post-structuralism and his approach to ‘the media’.
Table of Content
List of Tables and Figures Preface Acknowledgements List of Abbreviations Settling Accounts with ‘Culture’ Cultural Materialism Versus ‘Received Marxism’ From Criticism to Critique Social Formalism Towards a New Sociology of Culture Cultural Production and Means of Communication The Long Revolutions of Modernity Bibliography Index
About the author
PAUL JONES is Senior Lecturer in Sociology at the University of New South Wales, Australia.
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