This fully illustrated anthology showcases key images from Peter Kennard’s work as Britain’s foremost political artist over the last fifty years.
The book centres around Kennard’s images, photomontages and illustrations from protests, year by year, which provoked public outrage; including Israel/Palestine protests, anti-nuclear protests, responses to austerity, climate destruction, and more. Each image is accompanied by captions detailing not only the events in question, but Kennard’s approach to the work, including the genesis of the images and the techniques employed.
Ultimately, the book highlights Kennard’s extraordinary contribution to political art in the twenty-first century.
Table of Content
Series Preface
Preface
1. Feminist Futures: A Conditional Paeon for the Anything-Digital
2. Scale, Subject and Stories: Unreal Objects
3. Bland Ambition? Automation’s Missing Visions
4. Driving at the Anthropocene, or, Let’s Get Out of Here: How?
5. Technological Feminism and Digital Futures
Bibliography
About the author
Peter Kennard is Professor of Political Art at the Royal College of Art. He is the author of Images for End of Century: Photomontages Equations (Pluto, 1999). In 2015, the Imperial War Museum hosted a year long retrospective of his work Peter Kennard: Unofficial War Artist. He has published numerous art monographs, and contributed his visuals to publications, magazines and news stories in the press.
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