Rock music challenges hegemonic orders based on class, gender, nation, ethnicity/race or generation. This volume investigates how rock has played an integral part in the formation of identities and life-styles since the 1950’s. Rock music is used as a wide concept, including different genres, e.g. rock 'n’ roll, pop, punk, hip hop and blues.Unlike most other books on rock music, this volume focuses on how rock music becomes a part of everyday life and the formation of identities in a variety of European states such as England, Finland, Sweden and Wales, the USA, and also states that used to be on the other side of the Iron Curtain-such as GDR and Czechoslovakia. Thus, it includes a comparative perspective based on temporal as well as spatial aspects that further deepen the understanding of how rock music and society are intertwined.Rockin’ the Borders is an interdisciplinary volume; the authors represent a variety of backgrounds: History, Ethnology, Folklore, Sociology and Sociology of Music, thus presenting us with an interesting mix of theoretical perspectives and methods.
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