Winner of the Griffin Poetry Trust’s International Poetry Prize (2014)
Runner-up for the Northern California Book Reviewers Northern California Book Award (2014)
Fire— its physical, symbolic, political, and spiritual forms—is the fourth and final subject in Brenda Hillman’s masterful series on the elements. Her previous volumes—Cascadia, Pieces of Air in the Epic, Practical Water—have addressed earth, air, and water. Here, Hillman evokes fire as metaphor and as event to chart subtle changes of seasons during financial breakdown, environmental crisis, and street movements for social justice; she gathers factual data, earthly rhythms, chants to the dead, journal entries, and lyric fragments in the service of a radical animism. In the polyphony of Seasonal Works with Letters on Fire, the poet fuses the visionary, the political, and the personal to summon music and fire at once, calling the reader to be alive to the senses and to re-imagine a common life. This is major work by one of our most important writers. Check for the online reader’s companion at brendahillman.site.wesleyan.edu.
Spis treści
I. ON THE MIRACLE OF NAMELESS FEELING
To Spirits of Fire
After Harvest
Some Kinds of Reading in Childhood
The Fuel of an Infinite Life
Grammar of This Life at Noon
Geminid Showers & Health Care Reform
Late Autumn Storms at Pigeon Point
At the Solstice, a Yellow Fragment
Early Sixties Christmas in the West
The Vowels Pass By in English
Something Has Been Reading the Fireroots •The Body Politic Loses Her Hair
In High Desert Under the Drones
Between Semesters, the Fragments Follow Us •We Saw the E Look Back
I Heard Flame-Folder Spring Bring Red
En Route to Bolinas, a Rose
In the Room of Glass Breasts
Equinox Ritual with Ravens & Pines
To Leon, Born before a Marathon
Fable of Work in the World
A Halting Probability, on a Train
In Summer, Everything Is Something’s Twin
To Stem the Time We Spent
Facelessbook
Two Summer Aubades, After John Clare
The Practice of Talking to Plants
Ecopoetics Minifesto: A Draft for Angie
Foggy Animist Morning in the Vineyard
Previous Dawn in the Next Field
West Marin Night During Perseid Showers
For One Whose Love Has Gone
Patience Swoons in the Sword Ferns
Between the Fire & the Flood
Between the Souls & the Meteors
Moaning Action at the Gas Pump
Elegy for an Activist in Winter
Autumn Ritual with Hate Turned Sideways
Rituals with Food Before the Feast•After the Feast at Year’s End
Report on Visiting the District Office
After a Death in Early Spring
Imperishable Longing to Be with Others
The Hour Until We See You
Till It Finishes What It Does
After a Very Long Difficult Day
A Spiral Tries to Feel Again
You Were in Sunlight Being Prepared
On the Miracle of Nameless Feeling
II A SENSE OF THE LIVELY UNIT
As the Roots Prepare for Literature
Summer Mountain Lightning & Some Music
The Elements Are Mixed in Childhood
At the Snow Line in Summer
Sky of Omens, Floor of Fragments
The Seeds Talk Back to Monsanto
Coda: Suggested Activism for Endangered Seeds
The Nets Between Solstice & Equinox
Very Far Back in This Life
To the Writing Students at Orientation
The Letters Learn to Breathe Twice
Local Warming & Early Autumn Butterflies
Halfway Through Civilization, Late to Another
Imitating a Squirrel at my Job
Experiments with Poetry Are Taken Outdoors
A Short Walk During Late Capitalism
A Quiet Afternoon at the Office
A Quiet Afternoon at the Office II
When the Occupations Have Just Begun
After The Orionids, Near the Plaza
From the Dictionary of Indo-European Roots
Short Anthem for the General Strike
Mists From People As They Pass
Types of Fire at the Strike
o—
o—o o—o—o o—o—o o—o—o
A Brutal Encounter Recollected in Tranquility
& the Tents Went Back Up
2 Journal Entries During Occupy SF
An Almanac of Coastal Winter Creatures
The Second Half of the Survey
Lyrid Meteor Showers During Your Dissertation
Poem of Hope, Almost at Equinox
Radical Lads, Blisters & Glad Summers
Mystical Lichen Falls Through the Fonts
Smart Galaxies Work with Our Mother
In the evening of the Search
Acknowledgments & Notes
O autorze
Brenda Hillman is the author of 11 books of poetry from Wesleyan University Press. She has co-edited numerous books, including At Your Feet by Brazilian poet Ana Cristina Cesar. A former Chancellor at the Academy of American Poets and a recent recipient of the Morton Dauwen Zabel Award from the American Academy of Arts and Letters for innovation in literature, she is Professor Emerita at Saint Mary’s College of California and lives in the Bay Area with her husband Robert Hass.
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