In this collection of plays from one of our finest dramatists, Caryl Churchill demonstrates her remarkable ability to find new forms to express profound truths about the world we live in. Complete with a new introduction by the author, this volume contains:
Seven Jewish Children (Royal Court Theatre, London, 2009): a short play about seven families wondering how to protect their children, written at the time of the bombing of Gaza by Israel in 2008–9.
Love and Information (Royal Court, 2012): a fast-moving kaleidoscope in which more than a hundred characters try to make sense of what they know.
Ding Dong the Wicked (Royal Court, 2012): two families on opposite sides of a war, locked in identical hatred.
Here We Go (National Theatre, 2015): a play about dying and being dead.
Escaped Alone (Royal Court, 2016): three old friends and an unexpected neighbour have tea in a sunny back yard, and face catastrophes.
Pigs and Dogs (Royal Court, 2016): a look at how colonialism crushed the fluidity of sexuality in Africa and brought a new intolerance, as shown in the Ugandan Anti-Homosexuality Act of 2014.
Also included are three previously unpublished short plays, each written in response to political events: War and Peace Gaza Piece (2014), Tickets are Now On Sale (2015) and Beautiful Eyes (2017).
'The wit, invention and structural ingenuity of Churchill's work are remarkable… she never does anything twice' Telegraph
'What is extraordinary about Churchill is her capacity as a dramatist to go on reinventing the wheel' Guardian
O autorze
Caryl Churchill has written for the stage, television and radio. Her stage plays include Owners (Royal Court Theatre Upstairs, 1972); Objections to Sex and Violence (Royal Court, 1975); Light Shining in Buckinghamshire (Joint Stock on tour incl. Theatre Upstairs, 1976); Vinegar Tom (Monstrous Regiment on tour, incl. Half Moon and ICA, 1976); Traps (Theatre Upstairs, 1977); Cloud Nine (Joint Stock on tour incl. Royal Court, London, 1979, then Theatre de Lys, New York, 1981); Three More Sleepless Nights (Soho Poly and Theatre Upstairs, 1980); Top Girls (Royal Court London, then Public Theater, New York, 1982); Fen (Joint Stock on tour, incl. Almeida and Royal Court, London, then Public Theatre, New York, 1983); Softcops (RSC at the Pit, 1984); A Mouthful of Birds with David Lan (Joint Stock on tour, incl. Royal Court, 1986); Serious Money (Royal Court and Wyndham’s, London, then Public Theater, New York, 1987); Icecream (Royal Court, 1989); Mad Forest (Central School of Speech and Drama, then Royal Court, 1990); Lives of the Great Poisoners with Orlando Gough and Ian Spink (Second Stride on tour, incl. Riverside Studios, London, 1991); The Skriker (Royal National Theatre, 1994); Thyestes translated from Seneca (Royal Court Theatre Upstairs, 1994); Hotel with Orlando Gough and Ian Spink (Second Stride on tour, incl. The Place, London, 1997); This is a Chair (London International Festival of Theatre at the Royal Court, 1997); Blue Heart (Joint Stock on tour, incl. Royal Court Theatre, 1997); Far Away (Royal Court Theatre Upstairs, 2000, and Albery, London, 2001, then New York Theatre Workshop, 2002); A Number (Royal Court Theatre Downstairs, 2002, then New York Theatre Workshop, 2004); A Dream Play after Strindberg (Royal National Theatre, 2005); Drunk Enough to Say I Love You? (Royal Court Theatre Upstairs, 2006, then Public Theater, New York, 2008); Bliss, translated from Olivier Choinière (Royal Court Theatre, 2008); Seven Jewish Children – a play for Gaza (Royal Court Theatre, 2009); Love and Information (Royal Court Theatre Downstairs, 2012); Ding Dong the Wicked (Royal Court Theatre Downstairs, 2012); Here We Go (National Theatre, 2015); Escaped Alone (Royal Court Theatre Downstairs, 2016) and Pigs and Dogs (Royal Court Theatre, 2016).
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