Pipo just moved to a new place.
This place seems very weird.
Things are very different.
Will Pipo get used to his new home?
This story’s objective is to help kids step into Pipo’s shoes. To understand what he thinks, feels
and experiences, moving to a place that is so different from where he came from. His story
connects us with themes such as immigration, diversity, and inclusion. Like Pipo says, 'What can
seem weird can also be fun’, and we can all learn new things.
O autorze
Chamarrita Farkas
Psychologist, professor at the School of Psychology of the Pontificia Universidad Católica de
Chile, and specialist in early childhood. A professional with over thirty years of experience
training Psychology students (undergraduate and postgraduate) on topics related to the care and
promotion of comprehensive childhood development. She has conducted numerous Fondecyt
research projects and published extensively on child development, parenting skills, and the
promotion of mentalizing abilities through the reading of children’s stories. Author of the book
Gestos que hablan (Ediciones UC) and the children’s books Lulú está blue, El fuego de Draco,
Un eclipse de miedo, ¿Por qué Milena está triste?, Amaru echa humo, ¿A qué jugamos hoy?, Mi
familia embrujada, La dinocleta de Rexi, Leo y Lila (Ed. Catalonia), among others.
Doriana Schoner
Actress, children’s book author, and avid reader. Graduated with honors from The American
Musical and Dramatic Academy in New York, USA, with a BFA in Acting. Co-author of the
children’s books Lulú está blue, ¿Por qué se fue el Dodo?, El fuego de Draco, Un eclipse de
miedo, Amaru echa humo, ¿A qué jugamos hoy?, Mi familia embrujada, La dinocleta de Rexi,
Leo y Lila (Ed. Catalonia), among others. She has taken writing courses with children’s literature
author Jacqueline Balcells, and as an early lover of books, has recently launched her literary
critique blog.
Ignacia González
Visual artist specializing in painting from Universidad Finis Terrae (Santiago, Chile). She has
taken courses on the fashion industry at Parsons and the LVMH company. In addition to her
work in art, she serves as a training assistant at COANIL.
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