When Hindus and Sikhs become followers of Christ, what happens next? Should they join Christian churches that often look and feel very unfamiliar to them? Or to what degree can or should they remain a part of their Hindu/Sikh communities and practices? Uncomfortable with the answers that were provided to them by Christian leaders in northwest India, six followers of Christ began Yeshu satsangs (Jesus truth-gatherings) that sought to follow Christ and the teachings of the Bible while remaining connected to their Hindu and/or Sikh communities. Ecclesial Identities in a Multi-faith Context analyzes the contextualized practices and identities of these leaders and their gatherings, situating these in the religious history of the region and the personal histories of the leaders themselves. Whereas Christians worry that the Yeshu satsangs and related 'insider movements’ are syncretizing their beliefs and are not properly identifiable as 'churches, ’ Ecclesial Identities analyzes the Yeshu satsang’s narratives and practices to find vibrant expressions of local church that are grappling with questions and tensions of social and religious identity. In addition to its ethnographic approach, Ecclesial Identities also utilizes recent sociological and anthropological theory in identity formation and critical realism, as well as discussions of biblical ecclesiology from the book of Acts. This study will be a helpful resource for those interested in global Christianity, the practices and identities of churches in religiously plural environments, and the creative ways in which Christ-followers can missionally engage people of other faiths.
O autorze
William A. Dyrness is Professor of Theology and Culture and Director of the Visual Faith Institute of Art and Architecture at Fuller Theological Seminary, Pasadena, California, and was a founding member of the Brehm Center for Worship, Theology and the Arts at Fuller. He is the author of Senses of the Soul: Art and the Visual in Christian Worship (2008) and Poetic Theology: God and the Poetics of Everyday Life (2011).
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