Erika Benini & Wolfram Ette 
Zeitschrift für kritische Theorie / Zeitschrift für kritische Theorie, Heft 38/39 [EPUB ebook] 
20. Jahrgang (2014)

Diploma Thesis from the year 2019 in the subject Philosophy – Philosophy of the 20th century, grade: 4, , language: Bosnian, abstract: U ovom radu će se uglavnom istraživati antropološka misao Hane A …

Seminar paper from the year 2009 in the subject Philosophy – Philosophy of the 20th century, grade: 1, 0, University of Dusseldorf 'Heinrich Heine’ (Philosophische Fakultät), course: Analytische Reli …

Julia Kristeva refracts the impulse to hate (and our attempts to subvert, sublimate, and otherwise process it) through psychoanalysis and text, exploring worlds, women, religion, portraits, and the a …

Critical theory and Independent Living explores intersections between contemporary critical theory and disabled people’s struggle for self-determination. The book highlights the affinities between th …

Willy Meisl was an Austrian-Jewish sports journalist who dominated the field during the Weimar Republic. A son of Viennese coffee houses, Meisl intellectualised sports writing in the interwar years, …

Rationality and Cross-Cultural Understanding explores in what sense rationality secures the ground for the possibility of cross-cultural understanding and questions what kind of understanding, if any …

Few philosophers present themselves with as much complexity as Marcus Tullius Cicero. At once a philosopher, statesman, orator, and lawyer, Cicero consciously fashioned his own image for posterity an …

Julia Kristeva, herself a product of the famous May 1968 Paris student uprising, has long been fascinated by the concepts of rebellion and revolution. But is it still possible to build and nurture a …

A Conceptual Interrogation of Capital in a Cybernetic Environment Cybernetic Capitalism presents a groundbreaking synthesis of Niklas Luhmann’s systems theory and critical theory. Overwijk examines h …

A natural landscape can look serene, a shade of colour cheerful and a piece of music might sound heartrending. Why do we ascribe affective qualities to objects that can’t entertain psychological stat …