This collection seeks to explore alternative definitions of bounded identities, facilitating new approaches to spatial and architectural forms. Taking as its starting point the emergence of a new sense of ‘boundary’ emerged from the post-19th century dissolution of large, heterogeneous empires into a mosaic of nation-states in the Islamic world. This new sense of boundaries has not only determined the ways in which we imagine and construct the idea of modern citizenship, but also redefines relationships between the nation, citizenship, cities and architecture.
It brings critical perspectives to our understanding of the interrelation between the accumulated flows and the evolving concepts of boundary in predominantly Muslim societies and within the global Muslim diaspora. Essays in this book seeks to investigate how architecture mediates the creation and deployment of boundaries and boundedness that have been devised to define, enable, obstruct, accumulate and/or control flows able to disrupt bounded territories or identities.
More generally, the book explores how architecture might be considered as a means to understand the relationship between flows and boundaries and its implication of defining modern self. The essays in this volume collectively address how the construction of self is primarily a spatial event and operated within the crucial nexus of power-knowledge-space.
Contributors investigate how architecture mediates the creation and deployment of boundaries and boundedness, how architecture might be considered as a means to understand the relationship between flows and boundaries and its implications for how we define the modern self.
Part of the Critical Studies in Architecture of the Middle East series.
Spis treści
List of Figures vii
Acknowledgements xiii
Introduction: Confining Contingency 1
Farhan Karim
Chapter 1. Housing Others: Design and Identity in a Bedouin Village 21
Noam Shoked
Chapter 2. Building for the Lost Lands: Ottoman Architects in Mandatory Palestine and the Case of Hassan Bey Mosque 51
Müjde Dila Gümüs¸
Chapter 3. The First Aussie Mosques: Mediating Boundaries despite the ‘White Australia’ Policy 77
Katharine Bartsch, Md. Mizanur Rashid, and Peter Scriver
Chapter 4. Architecture of Exclusion: The Savujbulagh-i Mukri Garrison, Border-Making, and the Transformation of the Ottoman-Qajar Frontier 111
Nader Sayadi
Chapter 5. Staging Baghdad as a Problem of Development 139
Huma Gupta
Chapter 6. Tehran’s Decentralization Project and the Emergence of Modern Socio-Spatial Boundaries 167
Elmira Jafari and Carola Hein
Chapter 7. Reconstructing the Muslim Self in Diaspora: Socio-Spatial Practices in Urban European Mosques 193
Elisabeth Becker
Chapter 8. The Search for the Mosque of Florence: A Space of Negotiated Identities 219
Hanan Kataw
Chapter 9. The Rome Mosque and Islamic Center: A Case of Diasporic Architecture in the Globalized Mediterranean 237
Theodore Van Loan and Eva-Maria Troelenberg
Chapter 10. One House of Worship with Many Rooves: Imposing Architecture to Mediate Sunni, Alevi, and Gülenist Islam in Turkey 253
Angela Andersen
Chapter 11. Architectural Modes of Collective Identity: The Case of Hizbullah’s ‘Mleeta Tourist Landmark of the Resistance’ in South Lebanon 277
Heike Delitz and Stefan Maneval
Chapter 12. The Bangladesh Liberation War Museum and the Inconclusivity of Architecture 309
Anooradha Iyer Siddiqi
Contributor Biographies 353
Index 359
O autorze
Patricia Blessing is Associate Professor of Art and Art History at Stanford University. Blessing is the author of Rebuilding Anatolia after the Mongol Conquest: Islamic Architecture in the Lands of Rūm, 1240–1330 (Ashgate, 2014) and Architecture and Material Politics in the Fifteenth-century Ottoman Empire (Cambridge University Press, 2022). With Elizabeth Dospel Williams and Eiren Shea, she co-authored Medieval Textiles across Eurasia, c. 300-1400 for the Cambridge Elements series Global Middle Ages (Cambridge University Press, 2023). Blessing’s work has been supported by the ANAMED Research Center for Anatolian Cultures, the Barakat Trust, the British Academy, the Gerda Henkel Foundation, the International Center of Medieval Art, the Samuel H. Kress Foundation, and the Society of Architectural Historians.
Contact: Department of Art and Art History, Stanford University, 355 Roth Way, Stanford, CA 94305
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