Thomas Kemp, the Libertine, turned cruelty, torture and humiliation into works of art. It was said that he had given his soul to something inhuman to be part of artistic immortality. It was said that his very ashes were used to make a set of charcoals still imbued with his spirit. When Shannon Hernandez, a traumatized and repressed art student, is tasked to draw with them by her lecherous professor, she feels a change in herself and something menacing calling out to her. She is offered a chance to create work that breaks boundaries and hearts alike but comes bound with a connection to a legacy of immortal terrors.
O autorze
Raised on the North Shore of Massachusetts in a house half the town called haunted, Garrett Cook grew up obsessed with everything curious, monstrous and perverse as well as struggles with body image, gender role and intense trauma. He has since moved on to Portland, Oregon, where there are fewer ghosts but still a great deal of perversity. His work has appeared alongside Joe Lansdale in Best Bizarro Fiction of the Decade, Michael Moorcock in Kizuna and Jack Ketchum in DOA III and James Joyce in I Transgress. He is the winner of the Wonderland award for Time Pimp and an Honorable Mention in Best Horror of the Year 7 for his story Beast with Two Backs. His work has been translated into Spanish, Japanese and Russian.
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