Urbain, the Marquis de Villemer is the younger brother of Duke d’Aleria, and is eager to clear his family’s debt to ensure his mother’s happiness. The siblings have drastically different views on the purpose of money and marriage.
A marchioness is eager to marry off her two sons: Duke d’Aleria and Urbain, the Marquis de Villemer. The former is the eldest, a charming playboy whose gambling addiction has saddled the family with debt. Urbain is the younger, more responsible son, who’s willing to sacrifice his happiness for his mother’s security. The men interact with several women, including Caroline, a secretary and companion to their mother. She is pulled into a strange world that hinges on marriage arrangements and social capital.
The Marquis de Villemer is a nineteenth century novel that embodies popular elements of that time. It’s fueled by class disparity, mismatched romance and financial strain. It also highlights family legacy and the desire to keep up appearances.
With an eye-catching new cover, and professionally typeset manuscript, this edition of The Marquis de Villmer is both modern and readable.
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O autorze
George Sand (1804-1876), born Armandine Aurore Lucille Dupin, was a French novelist who was active during Europe’s Romantic era. Raised by her grandmother, Sand spent her childhood studying nature and philosophy. Her early literary projects were collaborations with Jules Sandeau, who co-wrote articles they jointly signed as J. Sand. When making her solo debut, Armandine adopted the pen name George Sand, to appear on her work. Her first novel, Indiana was published in 1832, followed by Valentine and Jacques. During her career, Sand was considered one of the most popular writers of her time.
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