The Cream of the Jest (1923) is a novel by James Branch Cabell. Set in a world where history and fantasy collide, where a lowly pawnbroker can encounter monsters, gods, and devils, The Cream of the Jest is one work in a series of novels, essays, and poems known as the Biography of the Life of Manuel. Partly inspired by the obscenity trial surrounding his novel Jurgen, a Comedy of Justice, The Cream of the Jest is a metafictional blend of literary criticism and fantasy fiction about an author whose sudden fame shocks his sleepy hometown. To the people of Lichfield, Felix Kennaston is an unremarkable neighbor whose literary ambitions are pursued in secrecy and obscurity. While completing a fantasy novel, he discovers a strange talisman not unlike the one his hero Horvendile presented to his beloved Ettare. That night, Felix meets Ettare in a dream, inspiring him to rewrite the story’s ending. When it is published, charges of obscenity threaten to sink his dreams before they can be realized. But critical attention has the opposite effect, making Kennaston a bestselling author overnight. Told from the perspective of Richard Harrowby, a neighbor from Lichfield, The Cream of the Jest is a fascinating blend of literary criticism and fantasy that poses important questions about the divide between fiction and the world we live in. Cabell’s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read The Cream of the Jest, however, is to understand that the issues therein—the struggle for power, the unspoken distance between men and women—were vastly important not only at the time of its publication, but in our own, divisive world. This edition of James Branch Cabell’s The Cream of the Jest is a classic of fantasy and romance reimagined for modern readers.
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O autorze
James Branch Cabell (1879-1958) was an American writer of escapist and fantasy fiction. Born into a wealthy family in the state of Virginia, Cabell attended the College of William and Mary, where he graduated in 1898 following a brief personal scandal. His first stories began to be published, launching a productive decade in which Cabell’s worked appeared in both Harper’s Monthly Magazine and The Saturday Evening Post. Over the next forty years, Cabell would go on to publish fifty-two books, many of them novels and short-story collections. A friend, colleague, and inspiration for such writers as Ellen Glasgow, H.L. Mencken, Sinclair Lewis, and Theodore Dreiser, James Branch Cabell is remembered as an iconoclastic pioneer of fantasy literature.
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