Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility. In poetry, especially in the lyric, wherein the soul is free to find full expression for its innermost emotions, their attempts have been, for the most part, divisible into two classes. In the first of these may be grouped the verses in which the lyrist put forth sentiments com mon to all mankind and in no wise specifically those of his own race; and from the days of Phyllis Wheatley to the present the most of the poems written by men who were not wholly white are indistinguishable from the poems written by men who were wholly white. What ever their merits might be, these verses cast.
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