’Some Say the Lark is a piercing meditation, rooted in loss and longing, and manifest in dazzling leaps of the imagination—the familiar world rendered strange.’ —Natasha Trethewey
Chang’s poems narrate grief and loss, and intertwines them with hope for a fresh start in the midst of new beginnings. With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history.
From 'The Winter’s Wife’:
I want wild roots to prosper
an invention of blooms, each unknown
to every wise gardener. If I could be
a color. If I could be a question
of tender regard. I know crabgrass
and thistle. I know one algorithm:
it has nothing to do with repetition
or rhythm. It is the route from number
to number (less to more, more
to less), a map drawn by proof
not faith. Unlike twilight, I do not
conclude with darkness. I conclude.
Jennifer Chang is the author of The History of Anonymity, which was a finalist for the Glasgow/Shenandoah Prize for Emerging Writers and listed by Hyphen Magazine as a Top Five Book of Poetry for 2008. Her poems have appeared in American Poetry Review, Best American Poetry 2012, The Nation, Poetry, A Public Space, and elsewhere. She is an assistant professor of English and Creative Writing at George Washington University and lives in Washington, DC with her family.
O autorze
Jennifer Chang is the author of
The History of Anonymity, which was a finalist for the Glasgow Shenandoah Prize for Emerging Writers and listed by
Hyphen Magazine as a Top Five Book of Poetry for 2008. Her poems have appeared in
American Poetry Review, Best American Poetry 2012, The Nation, Poetry, A Public Space, and elsewhere. She is an assistant professor of English and Creative Writing at George Washington University and lives in Washington, DC with her family.
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