This collection cements Joanna Walsh’s reputation as one of the sharpest writers of this century. Wearing her learning lightly, Walsh’s stories make us see the world afresh while showing us she has read the world. In 'Like a Fish Needs a . . .’ – perhaps the funniest, most freewheeling story ever written about cycling (and Freud and and and . . .) you read shenanigans worthy of Flann O’Brien. Meanwhile, in 'Worlds from the Word’s End’, Walsh conjures up a country in which words themselves fall out of fashion – something that will never happen wherever Walsh is read.
O autorze
Joanna Walsh is the author of Hotel, Vertigo, Grow a Pair, and Fractals. Her writing has also been published by Granta Magazine, The Dalkey Archive Best European Fiction 2015, Best British Short Stories 2014 and 2015, The Stinging Fly, gorse journal, The Dublin Review and others. She reviews at the New Statesman and The Guardian. She edits at 3:AM Magazine and Catapult, and is the founder of @read_women. She was a judge on the 2016 Goldsmiths Prize.
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