The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.
O autorze
Moritz Baßler, Westfälische Wilhelms-Universität, Münster, Germany;
Benedikt Hjartarson, University of Iceland, Reykjavík, Iceland;
Ursula Frohne, Westfälische Wilhelms-Universität, Münster, Germany;
David Ayers, University of Kent, Canterbury, United Kingdom;
Sascha Bru, Katholieke Universiteit, Leuven, Belgium.
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