Apparently, in 1338 and well into 1339, Death showed up for a grand performance at a little village of Nestorian Christians. The village was known as Issyk-Kul; it lay south of Lake Balkhash, Russia.
The cemetery headstones made clear a major work of the macabre had taken place in that short year. Three of the stones actually told us that the THE PLAGUE killed the people buried there. It was etched into their epitaph. THE PLAGUE.
And so it began. One of Europe’s largest choreographed pieces–composed by Death–began in a humble village and played over and over again through towns and cities until two thirds of human life within her boundaries was buried from dancing so well with Death.
We have danced with Death all our lives: as individuals and as a people.
O autorze
N. Thomas Johnson-Medland is an end-of-life specialist and doula. He is the author of Wayfaring Stranger; River Bending; Coming Back Home; In the Same Place; Bathed in Abrasion; Bridges, Paths, and Waters: Dirt, Sky, and Mountains; Cairn-Space; Entering the Stream; Along the Road; From the Belly of the Whale; Danse Macabre; Feed My Sheep: Lead My Sheep; Windows and Doors; For the Beauty of the Earth; Duende; and Turning Within. He lives a stone’s throw from the Susquehanna River in Columbia, Pennsylvania-just outside Lancaster-with his wife, Glinda. Tom and Glinda have two adult sons, Zachary Aidan and Josiah Gabriel. Reach him here
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