’The devil flew up to the moon, reached out and tried to grab it, but must have burned his fingers, for he hopped on one leg, sucking on his hand. He walked around it and tried again from the other side, and again jumped back. But the sly one didn’t give up: he suddenly grabbed the moon with both hands and, juggling it like a hot pancake, stuffed it in his pocket, and flew off as though nothing had happened. In our village of Dikanka, no one noticed the theft. True, when the district scribe crawled out of the tavern on all fours he thought he saw the moon dancing in the sky, but who would believe him?’
And in the and of the story, good wins in the most unexpected way..
[N. G.]
O autorze
Nikolay Gogol, the author of the first great Russian novel of the 19th century, Dead Souls, as well as two classic plays and some of the finest short stories written in any language, was a true literary oddity. His peculiar, unhappy life and his uniquely dark comic sensibility have been consistently misunderstood by posterity, with critics fiercely debating his nationality, his religious beliefs, and even his sexuality. What has never been in doubt, however, is his immense literary talent which, while essentially sui generis, provided a template for the absurdist, surreal streak in Russian literature that continues to bear fruit to this day. Along with Alexander Pushkin, he also established a literary pattern for the depiction of St. Petersburg as a city of ambiguity and even monstrosity, life in which proves untenable for many of his long-suffering protagonists.
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