Essays examining the genre of medieval romance in its cultural Christian context, bringing out its chameleon-like character.
The relationship between the Christianity of medieval culture and its most characteristic narrative, the romance, is complex and the modern reading of it is too often confused. Not only can it be difficult to negotiate the distant, sometimes alien concepts of religious cultures of past centuries in a modern, secular, multi-cultural society, but there is no straightforward Christian context of Middle English romance – or of medieval romance in general, although this volume focuses on the romances of England. Medieval audiences had apparently very different expectations and demands of their entertainment: some looking for, and evidently finding, moral exempla and analogues of biblical narratives, others secular, even sensational, entertainment of a type condemned by moralising voices.
The essays collected here show how the romances of medieval England engage with its Christian culture. Topics include the handling of material from pre-Christian cultures, classical and Celtic, the effect of the Crusades, the meaning of chivalry, and the place of women in pious romances. Case studies, including
Sir Gawain and the Green Knight and Malory’s
Morte Darthur, offer new readings and ideas for teaching romance to contemporary students. They do not present a single view of a complex situation, but demonstrate the importance of reading romances with anawareness of the knowledge and cultural capital represented by Christianity for its original writers and audiences.
Contributors: HELEN PHILLIPS, STEPHEN KNIGHT, PHILLIPA HARDMAN, MARIANNE AILES, RALUCA L. RADULESCU, CORINNE SAUNDERS, K.S. WHETTER, ANDREA HOPKINS, ROSALIND FIELD, DEREK BREWER, D. THOMAS HANKS, MICHELLE SWEENEY
The relationship between the Christianity of medieval culture and its most characteristic narrative, the romance, is complex and the modern reading of it is too often confused. Not only can it be difficult to negotiate the distant, sometimes alien concepts of religious cultures of past centuries in a modern, secular, multi-cultural society, but there is no straightforward Christian context of Middle English romance – or of medieval romance in general, although this volume focuses on the romances of England. Medieval audiences had apparently very different expectations and demands of their entertainment: some looking for, and evidently finding, moral exempla and analogues of biblical narratives, others secular, even sensational, entertainment of a type condemned by moralising voices.
The essays collected here show how the romances of medieval England engage with its Christian culture. Topics include the handling of material from pre-Christian cultures, classical and Celtic, the effect of the Crusades, the meaning of chivalry, and the place of women in pious romances. Case studies, including
Sir Gawain and the Green Knight and Malory’s
Morte Darthur, offer new readings and ideas for teaching romance to contemporary students. They do not present a single view of a complex situation, but demonstrate the importance of reading romances with anawareness of the knowledge and cultural capital represented by Christianity for its original writers and audiences.
Contributors: HELEN PHILLIPS, STEPHEN KNIGHT, PHILLIPA HARDMAN, MARIANNE AILES, RALUCA L. RADULESCU, CORINNE SAUNDERS, K.S. WHETTER, ANDREA HOPKINS, ROSALIND FIELD, DEREK BREWER, D. THOMAS HANKS, MICHELLE SWEENEY
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Introduction – Helen CooperMedieval Classical Romances: The Perils of Inheritance – Helen Phillips
Celticity and Christianity in Medieval Romance – Stephen Knight
Crusading, Chivalry and the Saracen World in Insular Romance – Phillipa Hardman and Marianne Ailes
How Christian is Chivalry? – Raluca Radulescu
Magic and Christianity – Corinne Saunders
Subverting, Containing and Upholding Christianity in Medieval Romance – Kevin S Whetter
Female Saints and Romance Heroines: Feminine Fiction and Faith among the Literate Elite – Andrea Hopkins
Athelston of the Middle English
Nativity of St Edmund – Rosalind Field
Romance Traditions and Christian Values in
Sir Gawain and the Green Knight – Derek S Brewer
Questioning
Sir Gawain and the Green Knight: Teaching the Text through its Medieval English Christian Context – D Thomas Hanks Jr
Teaching Malory: A Subject-Centred Approach – Michelle Sweeney
O autorze
Dr Raluca Radulescu is Senior Lecturer in Medieval Literature, Bangor UniversityKup ten ebook, a 1 kolejny otrzymasz GRATIS!
Język Angielski ● Format PDF ● Strony 226 ● ISBN 9781846157974 ● Rozmiar pliku 8.6 MB ● Redaktor Rosalind Field & Michelle Sweeney ● Wydawca Boydell & Brewer Ltd ● Miasto Woodbridge ● Kraj GB ● Opublikowany 2010 ● Do pobrania 24 miesięcy ● Waluta EUR ● ID 8379801 ● Ochrona przed kopiowaniem Adobe DRM
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