Winner of the 2023 On the Brinck Book Award, presented by the University of New Mexico School of Architecture + Planning
An auspicious political landscape, represented in image and text
In 1702, the second emperor of the Qing dynasty ordered construction of a new summer palace in Rehe (now Chengde, Hebei) to support his annual tours north among the court’s Inner Mongolian allies. The Mountain Estate to Escape the Heat (Bishu Shanzhuang) was strategically located at the node of mountain “veins” through which the Qing empire’s geomantic energy was said to flow. At this site, from late spring through early autumn, the Kangxi emperor presided over rituals of intimacy and exchange that celebrated his rule: garden tours, banquets, entertainments, and gift giving.
Stephen Whiteman draws on resources and methods from art and architectural history, garden and landscape history, early modern global history, and historical geography to reconstruct the Mountain Estate as it evolved under Kangxi, illustrating the importance of landscape as a medium for ideological expression during the early Qing and in the early modern world more broadly. Examination of paintings, prints, historical maps, newly created maps informed by GIS-based research, and personal accounts reveals the significance of geographic space and its representation in the negotiation of Qing imperial ideology. The first monograph in any language to focus solely on the art and architecture of the Kangxi court, Where Dragon Veins Meet illuminates the court’s production and deployment of landscape as a reflection of contemporary concerns and offers new insight into the sources and forms of Qing power through material expressions.
Art History Publication Initiative
O autorze
Stephen Whiteman is reader in the art and architecture of China at the Courtauld Institute of Art, University of London. He is the author of Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe (University of Washington Press, 2020) and the coauthor of Floating Time: Chinese Prints, 1954-2002 (Power Publications, Sydney, distributed by University of Washington Press, 2018). He is also the editor of Landscape and Authority in the Early Modern World (University of Pennsylvania Press, 2023) and the coeditor of Ambitious Alignments: New Histories of Southeast Asian Art, 1945–1990 (Power Publications, Sydney, distributed by University of Washington Press, 2018).
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