The focus of this edited book is to evoke and provoke conceptual conversations between early a/r/tographic publications and the contemporary scholarship of a/r/tographers publishing and producing today. Working around four pervasive themes found in a/r/tographic literature, this volume addresses relationality and renderings, ethics and embodiment, movement and materiality, and propositions and potentials.
In doing so, it advances concepts that have permeated a/r/tographic literature to date. More specifically, the volume simultaneously offers a site where key historical works can easily be found and at the same time, offer new scholarship that is in conversation with these historical ideas as they are discussed, expanded and changed within contemporary contexts. The organizing themes offer conceptual pivots for thinking through how a/r/tography was first conceptualized and how it has evolved and how it might further evolve.
Thus, this edited book affords an opportunity for all those working in and through a/r/tography to offer refined, revised, revisited or new conceptual understandings for contemporary scholarship and practice.
Part of the Artwork Scholarship: International Perspectives in Education series.
Spis treści
List of Figures
Land Acknowledgments
Acknowledgments
Foreword: On Practicing Intimacy – Stephanie Springgay
An Introduction – Rita L. Irwin, Alexandra Lasczik, Anita Sinner, and Valerie Triggs
Part I: Relationality and Renderings
Rendering Our Relations – Rita L. Irwin
Essential Readings
Chapter 1: A/r/tography: A Metonymic Métissage (2004) – Rita L. Irwin
Chapter 2: A/r/tography as Living Inquiry Through Art and Text (2005) – Stephanie Springgay, Rita L. Irwin, and Sylvia Wilson Kind
Chapter 3: Research and Creation: Socially Engaged Art in The City of Richgate Project (2010) – Ruth Beer and Rita L. Irwin with Kit Grauer and Gu Xiong
Chapter 4: A/r/tographic Collaboration as Radical Relatedness (2010) – Barbara Bickel, Stephanie Springgay, Ruth Beer, Rita L. Irwin, Kit Grauer, and Gu Xiong
Conversations
Chapter 5: Folding With-in A/r/t Ovulary Texts: Radical Writing and Making in a Pandemic –
Geraldine Burke and Kathryn Coleman
Chapter 6 A/r/tography: On Rendering a Selected Lexicon –
Blake E. Smith
Chapter 7 Critical Softness in an A/r/tographic Affective Commonwealth –
Nicole Y. S. Lee
Part II: Ethics and Embodiment
A/r/tographic Practice in Action –
Anita Sinner
Essential Readings
Chapter 8: Educational Arts Research as Aesthetic Politics (2008) –
Valerie Triggs and Rita L. Irwin with Ruth Beer, Kit Grauer, Gu Xiong, Stephanie Springgay, and Barbara Bickel
Chapter 9: Through the Looking Glass: Reflecting on an Embodied Understanding of Creativity and Creative Praxis as an A/r/tographer (2018) –
Kathryn S. Coleman
Chapter 10: Inclusivity and Aesth/ethics in Third Participatory A/r/tographic Spaces (2014) –
Marta Madrid Manrique
Chapter 11: (Re)Imagining Early Childhood Teacher Education—Belonging, Being, and Becoming in the Arts Through A/r/tography (2014) –
Geraldine Burke, Corinna Peterken, Clare Hall, and Rosemary Bennett
Conversations
Chapter 12: Partiality as an Ethics of Embodiment in A/r/tographical Research –
Adrienne Boulton and Natalie Le Blanc
Chapter 13: Between Voice and Literacy: Provoking A/r/tographic Possibilities for the Future –
Patricia Osler
Chapter 14: A Different Difference: Ethics and Embodiment as Betweenness – Elly Yazdanpanah
Part III: Movement and Materiality
An Orientation –
Alexandra Lasczik
Essential Readings
Chapter 15: A/r/tography: Always in Process (2018) –
Carl Leggo and Rita L. Irwin
Chapter 16: A/r/tographic Peripatetic Inquiry and the Flâneur (2018) –
Alexandra Lasczik Cutcher and Rita L. Irwin
Chapter 17: Educational Research, Photo Essays, and Film: Facts, Analogies, and Arguments in Visual A/r/tography (2013) –
Ricardo Marin-Viadel, Joaquin Roldan, and Miguel A. Cepeda-Morales
Chapter 18: A/r/tography (2019) –
Natalie Le Blanc and Rita L. Irwin
Conversations
Chapter 19: Slipping: A Perspectival Consciousness in A/r/tography –
Barbara Bickel
Chapter 20: A/r/tographic Becomings, Choreographies, and Materialities –
Sylvia Kind
Chapter 21: A/r/tography as Teacher in Movement and Materiality –
Katie Hotko and Jemma Peisker
Part IV: Propositions and Potentiality
Actual Events –
Valerie Triggs
Essential Readings
Chapter 22: Following A/r/tography in Practice: From Possibility to Potential (2014) –
Valerie Triggs, Rita L. Irwin, and Dónal O’Donoghue
Chapter 23: Pedagogy and the A/r/tographic Invitation (2019) –
Valerie Triggs and Rita L. Irwin
Chapter 24: Walking Propositions: Coming to Know A/r/tographically (2019) –
Nicole Lee, Ken Morimoto, Marzieh Mosavarzadeh, and Rita L. Irwin
Chapter 25: Site/Sight/Insight: Becoming a Socioecological Learner Through Collaborative Art Making Practices (2019) –
David Rousell, Alexandra Lasczik, Rita L. Irwin, David Ellis, Katie Hotko, and Jemma Peisker
Conversations
Chapter 26: Propositions and Potentials: Ongoing Provocations of the A/r/tographic Oblique –
Alexandra Lasczik and David Rousell
Chapter 27: From a Desk in the A/r/tography Lab into the Future –
Marzieh Mosavarzadeh
Chapter 28: Potentials and Propositions: Obliques Lived, Living, and Not-Yet Lived –
Ken Morimoto
Part V: Afterword
Ways of Looking at the Oblique in A/r/tography (2012) –
Carl Leggo
Notes on Contributors
Index
O autorze
Anita Sinner is a Professor of Art Education at The University of British Columbia. Her interests include artwork scholarship, international art education, stories as research, and community art education.Contact:Professor | Art Education | Faculty of Education The University of British Columbia | Vancouver Campus | xʷməθkʷəy̓əm (Musqueam) Traditional Territory2125 Main Mall | Vancouver BC | Canada V6T [email protected] | http://anitasinner.ca | ORCID: 0000-0002-6986-8137In SEA World Councillor 2022-23 (North America) | http://www.insea.org Series Co-Editor, Artwork Scholarship: International Perspective in Education | https://www.intellectbooks.com/artwork-scholarship-international-perspectives-in-education
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