Auriol, written 1844, is slightly unusual in the Ainsworth repertoire as the action is entirely couched as a fantasy, so that the supernatural element (which occurs also, for instance, in his Guy Fawkes and his Windsor Castle) can take comparatively free rein. The story is accordingly a thoroughly gothic romance. It is in effect Ainsworth’s contribution to the Faust genre. There is also a distinct connection with
The Cabinet of Dr. Caligari, in the kidnapping of girls theme, and in that the story concludes in the atmosphere of the lunatic’s confinement (and possible recovery), and the villain of the story is his keeper. Indeed, the use of the phantasmagorical aspects of the story to create a nightmarish commentary on contemporary society of the 1830s and 1840s anticipates (in the early 19th century) the expressionism of Robert Wiene’s
Caligari.
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