Although Gothic writing is now seen as significant for an understanding of modernity, it is still largely characterized as a literature of fear and anxiety. Gothic and the Comic Turn argues that, partly through its desire to be taken seriously, Gothic criticism has neglected the comic doppelganger that has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Romantic period through to the present day, this book examines how varieties of comic parody and appropriation have interrogated the complexities of modern subjectivity.
Tabela de Conteúdo
Introduction The Late Romantic Turn Realism and Romance Towards Gothic Modernism Topography and the Comic Gothic Turn Women Writing Women Men Writing Men Afterword Index
Sobre o autor
AVRIL HORNER is Professor of English at Kingston University, London, UK. Her most recent book publication is the edited collection,
European Gothic: A Spirited Exchange, 1760-1960 (2002), and she is currently working with Janet Beer on
Edith Wharton: Sex, Satire and the Older Woman, to be published by Palgrave in 2006.
SUE ZLOSNIK is Head of the Department and Professor of English at the Manchester Metropolitan University, UK. She has published recently on George Meredith and Robert Louis Stevenson.
Together they have published
Landscapes of Desire: Metaphors in Modern Women’s Fiction (1990) and
Daphne du Maurier: Writing, Identity and the Gothic Imagination (Palgrave, 1998) as well as numerous articles on Gothic fiction and women’s writing.
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