Using a cognitive approach to literature, this book uncovers representations of self-consciousness in selected modern British novels, exposing it as complicating character development. Miller provides new readings of works by Conrad, Joyce, and D.H. Lawrence to demonstrate the emergence of a self who feels split from the world.
Tabela de Conteúdo
Self-consciousness, Embodiment, and the Narrativising Self Embodiment, Narrativity, and Identification in Under Western Eyes Selfhood and the Sensorium in A Portrait of the Artist as a Young Man Removing the Serpent’s Tail from Its Mouth: DH Lawrence’s Vision of Embodied Consciousness Narrative Identity, Embodied Consciousness, and The Waves Scriptive Consciousness and Embodied Empathy in The Golden Notebook
Sobre o autor
Brook Miller is Associate Professor of English at the University of Minnesota, Morris, USA. His research is on 19th and 20th-century British literature and he is the author of America in the British Imaginary in Turn-of-the-Twentieth-Century Literature (2010).
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