An innovative account of one of the least-understood characters in the history of anthropology.
Using previously overlooked, primary sources Ciarán Walsh argues that Haddon, the grandson of anti-slavery activists, set out to revolutionize anthropology in the 1890s in association with a network of anarcho-utopian activists and philosophers. He regards most of what has been written about Haddon in the past as a form of disciplinary folklore shaped by a theory of scientific revolutions.
The main action takes place in Ireland, where Haddon adopted the persona of a very English savage in a new form of performed photo-ethnography that constituted a singularly modernist achievement in anthropology.
From the Introduction:
Alfred Cort Haddon was written out of the story of anthropology for the same reasons that make him interesting today. He was passionately committed to the protection of simpler societies and their civilisations from colonists and their supporters in parliament and the armed forces.
Tabela de Conteúdo
List of Figures
Preface
Acknowledgements
Introduction: Ancestral Knowledges
Part I: Becoming an Ethnologist
Chapter 1. Becoming an Anthropologist
Chapter 2. Lessons from Utopia
Chapter 3. Becoming an Ethnologist
Part II: The Skull Measuring Business
Chapter 4. Ethnical Islands
Chapter 5. The Laboratory
Chapter 6. Fieldwork
Part III: The Fifth Field
Chapter 7. Tedious Texts
Chapter 8. The Magic Lantern
Chapter 9. The Last Dance
Conclusion: A Legacy?
References
Index
Sobre o autor
Ciarán Walsh works as a freelance curator and writer. In 2009, he curated an internationally acclaimed exhibition of photography by John Millington Synge which brought the photography of Alfred Cort Haddon into focus.
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