This volume addresses one aspect of a challenging topic: what does it mean for women to create within particular literary and cultural contexts? How is the female body written on textuality? In short, how is the female body analogous to the geographical space of land? How have women inhabited their bodies as people have lived in nation-states?
Tabela de Conteúdo
Anne Bradstreet’s Poetry and Feminist Theory; K.Malecka Creative Tension: The Symbolic and the Semiotic in Emily Dickinson’s: ‘I heard a Fly buzz – when I died’; B.Jensen Father, Don’t You See That I am Dreaming?: The Female Gothic and the Creative Process; D.L.Hoeveler Elizabeth Barrett Browning and Rhetorical Location: Modern Rhetors Transgressing Culture and Transforming Genre; D.D.Schuster Elegance and Make-Up: Nature, Modernity, and the Female Body in Spanish Beach Narratives of the 1920s: W.Fernández Flórez& C. de Burgos – Eugenia V.Afinoguénova Mary Augusta Ward’s Literary Portraits of the Artist as Medusa; L.M.Lewis She was a ‘vision from a fairer world than this’: From East Lynne to Mrs. Doubtfire; K.Odden Matrix and Voice in A.S. Byatt’s Possession; M.Helmers Creation and Procreation in Margaret Atwood’s Giving Birth: A Narrative of Doubles; P.Sardin-Damestoy Female Voices, Male Listeners: Identifying Gender in the Poetry of Anne Sexton and Wanda Coleman; I.Williams
Sobre o autor
DIANE LONG HOEVELER is Professor of English and Coordinator of the Women’s Studies Program at Marquette University, USA.
DONNA DECKER SCHUSTER is Assistant Professor of English at Mt. Mary College, Milwaukee, USA.
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