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Revolutionary Bodies is the first English-language primary source–based history of concert dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Emily Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author.
Tabela de Conteúdo
List of Illustrations and Audiovisual Media
Acknowledgments
Introduction. Locating Chinese Dance: Bodies in Place,
History, and Genre
1. From Trinidad to Beijing: Dai Ailian and the Beginnings of
Chinese Dance
2. Experiments in Form: Creating Dance in the Early People’s Republic
3. Performing a Socialist Nation: The Golden Age of Chinese Dance
4. A Revolt from Within: Contextualizing Revolutionary Ballet
5. The Return of Chinese Dance: Socialist Continuity Post-Mao
6. Inheriting the Socialist Legacy: Chinese Dance in the
Twenty-First Century
Glossary of Chinese Terms
Notes and References
Index
Sobre o autor
Emily Wilcox is Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor.
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