Romance (1903) is a novel by Ford Madox Ford and Joseph Conrad. One of just three collaborations between two of the greatest English language novelists of the twentieth century, Romance plays to the strengths of each author to weave a tale of adventure, bad luck, and political intrigue. Adapted into The Road to Romance (1927), a lost silent film, Romance remains a highly entertaining and largely forgotten work of English fiction. “What are these days to me? But that far-off day of my romance, when from between the blue and white bales in Don Ramon’s darkened storeroom, at Kingston, I saw the door open before the figure of an old man with the tired, long, white face, that day I am not likely to forget.” Forced to flee his native England after being accused of smuggling, John Kemp joins his cousin Carlos in Jamaica. Soon, however, he grows wary of their comrade Castro, a shadowy figure who poses a danger to Kemp’s anonymity. Setting out on his own, he crosses paths with O’Brien, a notorious Irish nationalist who sees in Kemp an easy target for manipulation. Once again forced to flee for his life, Kemp searches for his cousin, only to find him on his deathbed. Left with no choice, he joins forces with Castro and the local beauty Serafina, who prove the greatest of friends. Eminently entertaining, this swashbuckling adventure is perfect for fans of Conrad and Ford, or for anyone looking to escape into a world of unending romance. This edition of Joseph Conrad and Ford Madox Ford’s Romance is a classic work of British literature reimagined for modern readers.
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Sobre o autor
Joseph Conrad (1857-1924) was a Polish-British novelist. Born Józef Teodor Konrad Korzeniowski, he was the son of Apollo Korzeniowski, a Polish poet and revolutionary. Conrad’s childhood was marked by ill health and constant travel due to his father’s political commitments, and he was placed in the care of his uncle following Apollo’s death in 1869. In 1874, he was sent to Marseilles to pursue a career as a merchant marine, which he continued until 1893, when he first settled in London. By this time, he had already begun his first novel, Almayer’s Folly (1895), which earned him a reputation as an adventure writer. Struggling to establish himself as an English writer, facing xenophobia and financial stress, Conrad nevertheless produced some of the greatest literary works of his era, including Heart of Darkness (1899), Lord Jim (1900), Nostromo (1904) and The Secret Agent (1907). Recognized as a pioneering figure of early modernism, Conrad also collaborated with English novelist Ford Madox Ford on three acclaimed novels: The Inheritors (1901), Romance (1903), and The Nature of a Crime (1924). Controversial for his depictions of colonialism and imperialism, Conrad has been alternatively viewed as a racist and opponent of racism by scholars, many of whom set their arguments alongside Chinua Achebe’s influential essay “An Image of Africa: Racism in Conrad’s ‘Heart of Darkness, ’” a central text of postcolonial criticism.
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