Originally published in 1985, Fred T. Robinson’s classic study asserts that the

appositive style of Beowulf helps the poet communicate his Christian vision of pagan

life. By alerting the audience to both the older and the newer meanings of words, the

poet was able to resolve the fundamental tension which pervades his narration of

ancient heroic deeds.

Robinson describes Beowulf’s major themes and the grammatical and stylistic

aspects of its appositive strategies. He then considers the poet’s use of the semantically

stratified vocabulary of Old English poetry to accommodate a partly Christian and

partly pre-Christian perspective on the events being narrated. The analysis draws

attention to the ways in which modern editors and lexicographers have obscured stylistic

aspects of the poem by imposing upon it various modern conventions.

Appositional techniques, Robinson shows, serve not only the poet’s major themes

but also his narrative purposes. A grasp of the fundamental role played by the appositive

style in Beowulf gives the reader new ways of understanding some of the epic’s familiar

passages. The new foreword addresses the reception this book has had and examines

recent scholarship in the ongoing interest in this amazing poem.

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