The Philology of Life retraces the outlines of the philological project developed by Walter Benjamin in his early essays on Hölderlin, the Romantics, and Goethe. This philological program, Mc Laughlin shows, provides the methodological key to Benjamin’s work as a whole.
According to Benjamin, German literary history in the period roughly following the first World War was part of a wider “crisis of historical experience”—a life crisis to which Lebensphilosophie (philosophy of life) had instructively but insufficiently responded. Benjamin’s literary critical struggle during these years consisted in developing a philology of literary historical experience and of life that is rooted in an encounter with a written image.
The fundamental importance of this “philological” method in Benjamin’s work seems not to have been recognized by his contemporary readers, including Theodor Adorno who considered the approach to be lacking in dialectical rigor. This facet of Benjamin’s work was also elided in the postwar publications of his writings, both in German and English. In recent decades, the publication of a wider range of Benjamin’s writings has made it possible to retrace the outlines of a distinctive philological project that starts to develop in his early literary criticism and that extends into the late studies of Baudelaire and Paris. By bringing this innovative method to light this study proposes “the philology of life” as the key to the critical program of one of the most influential intellectual figures in the humanities.
Tabela de Conteúdo
Note on Abbreviations | ix
Introduction : The Philology of Life | 1
1. “Two Poems by Friedrich Hölderlin” | 15
2. The Concept of Criticism in German Romanticism | 42
3. “Goethe’s Elective Affinities” | 68
Coda : The Afterlife of Philology | 109
Acknowledgments | 127
Appendix: Sources for Benjamin’s “Goethe’s Elective Affinities” (1924–25) | 129
Notes | 131
Bibliography | 179
Index | 189
Sobre o autor
Kevin Mc Laughlin was Dean of Faculty at Brown University from 2011–22. He is George Hazard Crooker University Professor of English, Comparative Literature, and German Studies at Brown. He is the author of Poetic Force: Poetry after Kant (Stanford University Press, 2014), Paperwork: Literature and Mass Mediacy in the Age of Paper (University of Pennsylvania Press, 2005), and Writing in Parts: Imitation and Exchange in Nineteenth-Century Literature (Stanford University Press, 1995), and the co- translator with Howard Eiland of Walter Benjamin’s Arcades Project (Harvard University Press, 1999).
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