This book analyses how three artists – Adrian Piper, Nancy Spero and Mary Kelly – worked with the visual dimensions of language in the 1960s and 1970s.
Tabela de Conteúdo
List of figures
Acknowledgements
Introduction
Part I: Writing the “I” otherwise: telegraphing black feminism in the work of Adrian Piper and Angela Davis
1. Adrian Piper’s textual address
2. Letters from an imaginary enemy, Angela Davis
Part II: Typing the poetry of monsters: Nancy Spero and Valerie Solanas write aggression
3. Writing the drives in Nancy Spero’s Codex Artaud
4. Valerie Solanas’ S.C.U.M. Manifesto and the texts of aggression
Part III: Hieroglyphs of maternal desire: the collaborative texts of Mary Kelly and Laura Mulvey
5. Rewriting maternal femininity in Mary Kelly’s Post-Partum Document
6. Feminist desires and collective reading in the work of Laura Mulvey
Conclusion
Bibliography
Index
Sobre o autor
Dorothy C. Rowe is Senior Lecturer in History of Art at the University of Bristol
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