How ‘public’ is public television if only a small percentage of the American people tune in on a regular basis? When public television addresses ‘viewers like you, ‘ just who are you? Despite the current of frustration with commercial television that runs through American life, most TV viewers bypass the redemptive ‘oasis of the wasteland’ represented by PBS and turn to the sitcoms, soap operas, music videos, game shows, weekly dramas, and popular news programs produced by the culture industries.
Viewers Like You? traces the history of public broadcasting in the United States, questions its priorities, and argues that public TV’s tendency to reject popular culture has undermined its capacity to serve the people it claims to represent. Drawing from archival research and cultural theory, the book shows that public television’s perception of what the public needs is constrained by unquestioned cultural assumptions rooted in the politics of class, gender, and race.
Tabela de Conteúdo
Introduction: The Cultural Contradictions of Public Television
Oasis of the Vast Wasteland
The Quest to Cultivate
TV Viewing as Good Citizenship
Something for Everyone
Radicalizing Middle America
Epilogue: Public Television, Popularity, and Cultural Justice
Sobre o autor
Laurie Ouellette is assistant professor of media studies at Queens College, City University of New York. She has written for the
Utne Reader, The Independent Film and Video Monthly, Cultural Studies, and
Television and New Media, among other publications
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