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In ‘How to Sing [Meine Gesangskunst], ‘ Lilli Lehmann offers a profound exploration of vocal technique, blending practical instruction with a rich tapestry of personal reflection. Lehmann’s literary style is both didactic and intimate, drawing upon her extensive experience as a distinguished soprano. The book emerges in a period when vocal pedagogy was becoming increasingly formalized, providing an innovative perspective that marries artistry with method. Lehmann delves into the intricacies of breath control, diction, and emotional expression, all while emphasizing the importance of individuality in vocal performance, thus situating her work at the intersection of traditional European singing techniques and emerging modern sensibilities. Lilli Lehmann, an acclaimed operatic singer of the late 19th and early 20th centuries, was influenced by her rigorous training and myriad performances across Europe. Her background in both music and teaching allows her to approach the subject of singing with authority and warmth. Throughout her career, Lehmann sought to illuminate the deeper, often personal aspects of vocal artistry, which undoubtedly shaped her insights in this seminal work. ‘How to Sing’ is highly recommended for both aspiring singers and seasoned professionals alike, as it serves not only as a technical guide but also as a philosophical companion for anyone passionate about the art of singing. Lehmann’s wisdom offers timeless insights that continue to resonate in contemporary vocal practices.
Sobre o autor
Lilli Lehmann (1848–1929) was a German soprano of phenomenal renown, both for her powerful voice and for her methodological contributions to the art of singing. Born in Würzburg, Germany, she was the daughter of musical parents who prepared her for a life on the stage. Lehmann made her debut at the age of 15 and quickly advanced in the European opera scene, performing leading roles in works by Mozart, Wagner, and other prominent composers of the time.
Lehmann was not just a performer but also a pedagogue, which led to the publication of her influential work, ‘How to Sing’ (‘Meine Gesangskunst’), in 1902. A rich amalgamation of personal experience, technical instruction, and career advice, this book encapsulates Lehmann’s vocal philosophy and educational approach. She emphasizes the importance of breath control, articulation, and resonation, all the while offering insights gleaned from her illustrious career. Her literary style mirrors her singing: clear, powerful, and precise, designed to both instruct and inspire. Lehmann’s book remains a seminal piece for singers and music scholars, reflecting an era when vocal art was transitioning into the modern age and standing as a testimonial to her legacy as one of the great singers of her time.
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