Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy?
Maggie Hennefeld reveals the forgotten histories of “hysterical laughter, ” exploring how women’s amusement has been theorized and demonized, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomized the tension between subversive pleasure and its violent repression.
Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world.
Tabela de Conteúdo
Acknowledgments
Introduction
Part 1: Death by Laughter
1. Hysterical Laughter on the Brink of Enjoyment
2. Female Death by Laughter (Beyond Enjoyment)
3. An All Too Brief History of Laughter and Death
Part 2: Female Hysteria
4. Gaslighting the Libido: Feminist Politics of Madness, Laughter, and Power
5. Laughter: The Forgotten Symptom
6. Mass Hysteria, Collective Laughter, and Affective Contagion
Part 3: Early Cinema
7. Laughter Unleashed: Hysterical Women at the Movies
8. The Visual Cure? Moving Pictures as Neurotic Trigger and Therapeutic Instrument
9. From Mouth to Screen: Laughing Heads in the History of Film
Conclusion: Laughter, Hysteria, Power—Then and Now
Notes
Index
Sobre o autor
Maggie Hennefeld is associate professor of cultural studies and comparative literature at the University of Minnesota, Twin Cities. She is the author of
Specters of Slapstick and Silent Film Comediennes (Columbia, 2018), co-curator of the silent film collection
Cinema’s First Nasty Women (2022), and coeditor of
Unwatchable (2019) and
Abjection Incorporated: Mediating the Politics of Pleasure and Violence (2020).
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