Tabela de Conteúdo
Chapter 1: Reconsidering Feminism Since 1945 Through Encounter, Translation and Resignification: Towards a Historical Narrative (Maud Bracke, Julia C. Bullock, Penelope Morris and Kristina Schulz).- Chapter 2: The Many Faces of Beauvoir: Paratranslated Materiality in Le Deuxième Sexe (Pauline Henry-Tierney).- Chapter 3: Promoting Beauvoir: The Role of the Translator in Crafting a Literary Legacy (Julia C. Bullock).- Chapter 4: Communicating Through Books, Spaces and Personal Exchange: Women’s Bookshops as Cultural Translators (1970s-1990s) (Lisia Bürgi and Kristina Schulz).- Chapter 5: Transnational Transfers & Mainstream Mappings: Women’s Liberation Calendars of the 1970s and 1980s (Hannah Yoken).- Chapter 6: Paratranslating Iraqi Women’s Stories Twice: With Reference to Alia Mamdouh’s Novel النفتالين (1986/2000), Mothballs (1995) and Naphtalene: A Novel of Baghdad (2005) (Ruth Abou Rached).- Chapter 7: Translation or Transliteration?: ‘Gender’ Troubles in Russia (Erin Katherine Krafft).- Chapter 8: ‘Love is Love’ and ‘Love is Equal’: Fansubbing and Queer Feminism in China (Ting Guo).- Chapter 9: How Rebel Can Translation Be? A (Con)textual Study of Good Night Stories for Rebel Girls and Two Translations in Spanish (Olga Castro and María Laura Spoturno).
Sobre o autor
Maud Anne Bracke is a Senior Lecturer in Modern European History at the University of Glasgow, UK.Julia C. Bullock is Professor of Japanese Studies at Emory University, USA.
Penelope Morris is Dean for Global Engagement and Professor of Italian Studies at the University of Glasgow, UK.
Kristina Schulz is Professor of Contemporary History at the University of Neuchâtel, Switzerland.
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