The Recursive Frontier is an innovative spatial history of both the literature of Los Angeles and the city itself in the mid-twentieth century. Setting canonical texts alongside underexamined works and sources such as census bulletins and regional planning documents, Michael Docherty identifies the American frontier as the defining dynamic of Los Angeles fiction from the 1930s to the 1950s. Contrary to the received wisdom that Depression-era narratives mourn the frontier’s demise, Docherty argues that the frontier lives on as a cruel set of rules for survival in urban modernity, governing how texts figure race, space, mobility, and masculinity. Moving from dancehalls to offices to oil fields and beyond, the book provides a richer, more diverse picture of LA’s literary production during this period, as well as a vivid account of LA’s cultural and social development as it transformed into the multiethnic megalopolis we know today.
Tabela de Conteúdo
List of Illustrations
Acknowledgments
Introduction: ‘Metaphor that Becomes Epical’
1. Dancing on the Edge: Mc Coy, Fante, and Desperate Moves on the Ballroom Frontier
2. Pioneering the Office: White-Collar Rewilding with Chandler and Cain
3. Wilderness Works: Making Race and Class in the Industrial Cities of Fante, Yamamoto, and Himes
4. Ephemeral Accommodations: Hughes, Fenton, and the Architecture of Postwar Masculine Crisis
Epilogue: ‘Steaming Remnants of the Fire’
Notes
Bibliography
Index
Sobre o autor
Michael Docherty is Postdoctoral Assistant Professor in the Department of American Studies at the University of Innsbruck, Austria.
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